the atmosphere is not a perfume it is odorless by Matthew Cooperman

Parlor Review by H. L. Hix The title of Matthew Cooperman’s new poetry collection, the atmosphere is not a perfume it is odorless, indicates by its very structure one strong…

Didion & Babitz by Lili Anolik

Scribner Review by George Yatchisin Perched in a cultural place between Ryan Murphy’s Bette and Joan and Craig Seligman’s Sontag & Kael: Opposites Attract Me, Lili Anolik’s Didion & Babitz…

A Tipsy Fairy Tale: A Coming of Age Memoir of Alcohol and Redemption by Peter E. Murphy

Toplight Review by Walter Cummins Peter Murphy relates the story of his adolescent and youthful perpetual drunkenness in the second person, addressing the person whose life he explores as “you”…

The Chutnification of History: Salman Rushdie’s Midnight’s Children

Penguin Essay by Brian Tanguay I first read Midnight’s Children by Salman Rushdie thirty years ago, but hadn’t thought about the book again (though in that time I have read…

Medieval Horizons: Why the Middle Ages Matter by Ian Mortimer

Rosetta Review by Walter Cummins Most of us tend to consider the Middle Ages and those who inhabited those distant centuries victims of an inferior world that we’re fortunate to…

The Work of Art: How Something Comes from Nothing by Adam Moss

Penguin Review by David Starkey I first saw Adam Moss’s The Work of Art: How Something Comes from Nothing in a bookstore in Montpelier, Vermont, and immediately, like Wallace Stevens’s…

A Boy’s Guide to Outer Space by Peter Selgin

Regal House Review by Walter Cummins Peter Selgin’s Boy’s Guide is in many ways a deceptive novel. From its playful title and lively accounts of the adolescent hi-jinks of the…

Money, Lies, and God: Inside the Movement to Destroy American Democracy by Katherine Stewart

Bloomsbury Review by Brian Tanguay No journalist that I’m aware of has chronicled the rise of the Christian right as assiduously and comprehensively as Katherine Stewart has. From her first…

Playground by Richard Powers

Norton Review by David Starkey In some ways, Richard Powers’ new novel Playground is a double bildungsroman, showing us the youth and early adulthood of Todd Kean—white, a native of…

Dorothy Parker in Hollywood by Gail Crowther

Gallery Books Review by George Yatchisin Late in her life Dorothy Parker claimed during an interview that if she wrote a memoir—which she was loathe to do (and never did)—she…