Gunpowder Review by Laura Villareal In Novelist as Vocation, Haruki Murakami quipped, “The way I see it, people with brilliant minds are not particularly well suited to writing novels.” Not…
Category: Poetry
Rome: Pedestrians Beware by Rafael Alberti (trans. and with essays by Anthony L. Geist & Giuseppe Leporace)
Swan Isle Review by David Starkey As someone who has spent a fair bit of time in the Eternal City, I can say that in order to truly love Rome,…
Mojave Ghost by Forrest Gander
New Directions Review by Laura Mullen If “The personal is the political” was a truism and rallying cry of second wave feminism (invoked also by student and civil rights activists),…
The Prelude by William Wordsworth
Brandeis Review by David Starkey The subtitle to this edition of William Wordsworth’s The Prelude provides a hint of just how jam-packed the book is with ancillary material. “Newly Edited…
The Blue-Cliff Record by David Hinton
Shambhala Review by David Starkey Those of us who are not practicing Buddhists, but are still “Zen-curious,” can turn for modest enlightenment to classics like Alan Watts’ The Way of…
the atmosphere is not a perfume it is odorless by Matthew Cooperman
Parlor Review by H. L. Hix The title of Matthew Cooperman’s new poetry collection, the atmosphere is not a perfume it is odorless, indicates by its very structure one strong…
31 Outstanding Poetry Books from 2024 – Alcalá to Zarin
Reviews by David Starkey Every year since 2014, I’ve set aside a couple of months to sit down with what amounts to a long shelf of of poetry published in…
A Walk with Frank O’Hara by Susan Aizenberg
New Mexico Review by H. L. Hix Frank O’Hara himself is not a recurring presence in Susan Aizenberg’s new volume, but the themes introduced in the title poem, which opens…
No Ship Sets Out to Be a Shipwreck by Joan Wickersham
Eastover Review by Walter Cummins Joan Wickersham uses the 1956 discovery of the fatal wreckage of a Swedish ship, the Vasa—sunken immediately after its August 10, 1628 launching—as the starting…
Soul, Ghost, My Absolute by Rosalind Palermo Stevenson
Rain Mountain Review by Walter Cummins In her piece “The Foghorn,” Rosalind Palermo Stevenson includes several of her own translations of Antonin Artaud, including, “The dream is true. All dreams…