Penguin Review by Gabriel Tanguay Ortega At nearly 800 pages, Ahdaf Soueif’s 1992 debut novel is a rewarding undertaking, a sort of modern Anna Karenina set in mid-20th century Egypt,…
Category: Fiction
The Second Sleep by Robert Harris
Knopf Review by Jinny Webber In the lead article in the New York Times morning newsletter of September 25, 2024, Steve Lohr, who covers technology and the economy for the…
Burn by Peter Heller
Knopf Review by David Starkey Like a lot of readers in these unnerving times, I’m a sucker for a dystopian novel. Imagining how things might go wrong is oddly comforting:…
The Light at the End of the World by Siddhartha Deb
Soho Press Review by Brian Tanguay This year I’ve had the good fortune to read several novels by extraordinary writers of South Asian origin, among them Latitudes of Longing by…
Time of the Child by Niall Williams
Bloomsbury Review by Brian Tanguay The remote, rain-soaked village of Faha is to the brilliant Irish writer Niall Williams what Yoknapatawpha County was to William Faulkner. On the surface a…
Awake For Ever in a Sweet Unrest: a novel by Chuck Rosenthal
Walton Well Press Review by Brian Tanguay For a novel of only eighty-nine pages, Awake For Ever in a Sweet Unrest is surprisingly deep, and will appeal to readers familiar…
Body Friend: A Novel by Katherine Brabon
Bloomsbury Review by Brian Tanguay In Katherine Brabon’s third novel, Body Friend, the narrator is never named. She’s a woman who knows herself best when she’s in the greatest physical…
The God of the Woods by Liz Moore
Riverhead Review by Walter Cummins It’s no surprise that Liz Moore’s The God of the Woods is a bestseller in the thriller & suspense and—not as obvious to me—literary fiction…
The Same Bright Stars by Ethan Joella
Scribner Review by Walter Cummins As he demonstrated in his first two novels, Ethan Joella possesses a special ability to create a community of interrelated characters, each of whom is…
Soul, Ghost, My Absolute by Rosalind Palermo Stevenson
Rain Mountain Review by Walter Cummins In her piece “The Foghorn,” Rosalind Palermo Stevenson includes several of her own translations of Antonin Artaud, including, “The dream is true. All dreams…