Chicago Review by Nikolas Mavreas “Jazz is stupid. I mean, just play the right notes!” Though uninspired, this line from The Office TV series encapsulates a very common attitude. The…
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An Island to Myself: The Place of Solitude in an Active Life by Michael N. McGregor
Monkfish Review by Linda Lappin In An Island to Myself: The Place of Solitude in an Active Life, Michael McGregor, writer, university professor, inveterate traveler, former fire fighter and Rick Steeves’ tour…
Pause the Document by Mónica de la Torre
Nightboat Review by Laura Mullen “These days walks are my cinéma vérité… // Walks are my party. My cinéma vérité. Nameste.”–Mónica de la Torre At a poetry festival recently a…
Dogs and Monsters by Mark Haddon
Doubleday Review by Walter Cummins The seven stories in Monsters and Dogs were written over a long period, their composition interrupted by Haddon’s triple heart bypass. That time span may…
The Peepshow: The Murders At Rillington Place by Kate Summerscale
Penguin Review by Walter Cummins The Peepshow, Kate Summerscale’s latest true crime book, goes beyond the gruesome details of serial butchery, with corpses stashed under floors, behind walls, and stuffed…
Hot Air by Marcy Dermansky
Knopf Review by George Yatchisin In Marcy Dermansky’s engrossing novel of (mis)manners Hot Air, third person limited isn’t just a narrative technique, it’s a view of the world where solipsism…
Swerve by Laurie Blauner
Rain Mountain Review by Walter Cummins A swerve is not a deliberate choice but rather the result of a last-second panic, an instantaneous response to a sense of threat, twisting…
Twist by Colum McCann
Random House Review by Walter Cummins Although Colum McCann doesn’t refer to the 1948-49 Shannon-Weaver theory of communication, my remembering it helped me understand his novel Twist, in which the…